Experiments in Letterpress

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I wondered how it would look to letterpress lighter ink on darker paper. Using the brayer and Chocolate Chip Craft ink, I rolled the dark brown ink onto the white cotton letterpress paper.

Then, I rolled silver letterpress ink onto the printing plate shown here and ran it through the Big Shot. As you can see, the lighter ink shows up nicely. I could have taken more care to brayer the chocolate chip ink better, but I was just doing it for the sake of experimentation.

Hopefully other paper colors will be available soon!

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Letterpress Projects

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(Click on any image to enlarge for more detail)

I made this card using the L Letterpress kit (available at craft stores and online). The kit comes with special cotton paper, black ink, printing plates, the platform, and a die cutting machine, but I just used my Big Shot with no problems.

The base is textured Melon Mambo card stock, layered with Regal Rose. The main image was letterpressed onto the special white cotton paper in black ink. I made a little boo-boo over on the left side so I covered it up with a sticky rhinestone. I was going to add more but decided against it.

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As for the card above, instead of using the letterpress ink (which is a sticky ink specifically made for letterpress) I just used my SU Craft ink and Sponge Daubers. The color isn’t as intense, but it’s much easier to apply and switch colors with no clean up. See photo below for a close up of the texture and indentation. Colors used were chocolate chip and old olive craft ink.

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Next, I made a Christmas tag using the Holiday Printing Press. I cut out the circle with my Bigz Clear Circle Die in the Big Shot. I rolled the red letterpress ink onto the images here, then ran it through the Big Shot. At the top, I punched a hole with the cropadile and added a Jumbo Eyelet. The ribbon is Old Olive 1 1/4″ Striped Ribbon.

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Here’s a better view of the impressed images:

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These were my first attempts at letterpress so there’s much to learn.

  • I now know it takes very little ink to get a good impression; it can smudge if you put on too much.
  • Drying time isn’t too bad, but again, the more ink you put on, the more time it takes to dry.
  • I also tried it on different card stocks and the impression is not deep enough. SU Watercolor Paper may work, it has that kind of texture to it.
  • Because the ink is so sticky, it’s a pain to clean off the presses. Clean up is a pain in general, so mass producing is your best bet. This system is not conducive to one of a kind creations–you do not want to wipe the ink off the brayer, the plates, the platform, etc. every time you finish a card!
  • Paper comes in many sizes, A2 cards, A7 cards, Square cards, mini cards, business card size AND there are envelopes that can be letterpressed too!

Overall, I just love the look of letterpress! When I heard about this product over the summer, I checked the website daily for updates. Months passed and I gave up. While shopping the other day I saw it in the craft store and practically screamed! I’ll be making more letterpress projects for sure–I have a lot of ideas in mind! And they work so nicely with other stamps and card stocks!

Someone asked me a few questions about cleaning and using the Letterpress kit. I will post the response below if anyone wants more info:

To answer Glo’s question/comment posted:

At first I used regular baby wipes to clean the ink off the brayer and plates. Then, I went back and bought a container of cleaning cloths made specifically for the letterpress kit. Both are pretty similar so I probably wouldn’t buy the special ones again. I just used old fashioned elbow grease to get the ink off, then dried with an old towel. The plates will not be clear again unfortunately, the ink stains them similar to what happens with clear stamps and ink. I’m not going to let it bother me!!

As for the plates, I really don’t like the sticky sheets they include to stick the plates onto the platform. Aileen’s Tack it Over works great! Sticky enough to hold but then when you put the plate away it’s not sticking to everything else. Storage will need to be addressed soon. I may use clear CD cases and treat the printing plates like acrylic stamps. The plates should come off the platform with no problem. Just be careful to lift around all corners of really large images so you don’t crack it by lifting one side while the other sides are stuck to the platform.

If anyone has any questions, feel free to comment.

55th Wedding Anniversary Invites

My grandparents are celebrating their 55th wedding anniversary soon and guess who’s in charge of making the invitations??  That’s right, me!

I don’t know why we didn’t have a 50th anniversary party for them?  Maybe it was because my grandfather was ill at that time. I don’t remember, but in any event, their 55th is coming and they want to celebrate.

Option 1:

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This is so sparkly in real life, I tried my best to get it on camera. The base is rich razzleberry card stock, layered with a very vanilla panel. On top, I ran a 4″ x 5 1/4″ piece of vellum through the Big Shot using the Manhattan Flowers Embossing Folder. Then, with the debossed side up (raised side down), I filled in the image with my fine tip glue pen and added Dazzling Diamonds Glitter. I love this result! (See here for another example).

To finish it off, I stamped “You’re Invited” from Sincere Salutations in Rich Razzleberry ink on the vellum and tied some polka dot rich razzleberry ribbon in a knot and adhered it to the top of the card using a glue dot.

Option 2:

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So simple but so elegant. The card base is close to cocoa, layered with an ivory shimmer paper which I embossed using the Manhattan Flowers Embossing Folder and the Big Shot. In the upper right corner, I stamped “You’re Invited” from For the Bride in Versamark and embossed it with Gold Embossing Powder. The ribbon was purchased from a craft store, and it’s a shimmery version of close to cocoa.

Option 3:

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This version is well suited for a 50th Anniversary card. The base is close to cocoa again, layered with very vanilla which I stamped with En Francais in close to cocoa ink. A vellum overlay was stamped with the cake from For the Bride in Versamark and embossed with Gold Embossing Powder.

The ribbon was purchased from a craft store and the “You’re Invited” from For the Bride was stamped on very vanilla card stock in Versamark and embossed with Gold Embossing Powder as well. I punched out the sentiment using the Modern Label Punch and adhered it using dimensionals.

Option 4:

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This is beautiful, but not really my grandparents’ style. The base is chocolate chip textured card stock, layered with whisper white. On top, the vellum layer was embossed using the Manhattan Flowers Embossing Folder and then with the debossed side up (raised side down) I brayered over the vellum using Baja breeze ink.

At the top, I added ribbon from Valet Ribbon Originals (retired). The sentiment is from Please Come stamped in Baja Breeze on whisper white. I punched it out with the Word Window Punch and mounted it on chocolate chip card stock punched out with the Modern Label Punch.

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